Born in Hull, Carrie is an acoustic guitarist and singer/songwriter.
She fronted bands in the 90s before casting her music aside in order to raise her children, her guitar went untouched for some two decades until a chance meeting with guitar virtuoso Gordon Giltrap changed her life.
Close mentoring from Gordon saw her take a huge leap forward, attracting endorsements from Vintage Guitars, G7th Capos and Martin Strings. 
Her last two albums Seductive Sky and Entity included guests Elliott Randall, Gordon Giltrap, Oliver Wakeman, Daniel Cassidy (brother of late Eva Cassidy) and ex Bad Company guitarist Dave Colwell. 
Carrie has performed in Canada on tour and has represented Vintage Guitars twice at the Namm Show In California. She also guests at various guitar shows around the UK  to demo her use of open tunings.

Raised in the East Yorkshire flatlands on the fringes of Hull, Katie Spencer’s landscape has always been that of open skies and widening rivers. Industry still shapes the city here. The people, as with the land, are moulded by tides and stark horizons. Stand in the same place for long enough and you can watch the sun rise over the North Sea and then sink into crop fields, glowing auburn in late-summer sun. It is this sense of space and movement that flows through Katie Spencer’s music.
The songwriting, and most notably her guitar playing stems from a time when the steel-stringed instrument was truly finding its voice. Artists like Joni Mitchell, James Taylor and perhaps most evidently Michael Chapman, flow into her sound, carrying with them the warmth and idealism of the early 70’s folk and songwriter movements.
Katie Spencer’s widely celebrated new album, The Edge of the Land (2022), follows her debut release, Weather Beaten (2019) which was praised for its unique song-craft, spell-binding musicianship and crystal sonic clarity, as she brought together fans of music from all backgrounds and walks of life. Delicate and un-rushed, the ten songs on The Edge of the Land drift by like ships on the horizon, yet intimacy and introspection still remain.
The inclusivity found in her recorded works is most apparent when on stage, with a personal connection and humour that allows the listener time to appreciate the emotion of the music. Her historical gig list is extensive, taking in the world-renowned Celtic Connections and Cambridge Folk Festival, whilst performances with Danny Thompson and Alan Thomson have left audiences in awe of her confidence and craftsmanship.
As live music has returned to our world, we can expect to see Katie Spencer where she belongs once more, eyes closed, in the moment, performing. 
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“Her articulate picking, with suggestions of folk and jazz, frames intelligently written songs and is the backbone to her music.” Guitarist Magazine
“One of the most satisfying and spellbinding singer-songwriter collections I’ve encountered in some time.” RnR Magazine ★★★★★
“Imaginative imagery supported by compelling music that summons up the best of early 70s folk, fluently delivered here with its own contemporary power. This is a fine collection of memorable songs by an outstanding writer and musician.” Record Collector
“A timeless English folk album, perfect for the still calm of a Sunday morning.” Shindig!
“Katie Spencer sits gracefully in a vocal nook between Sandy Denny, Linda Thompson and, to conjure a name we hear less often these days, Bridget St John.” Prog Magazine
“The way Katie plays is never contrived, showy or imitative; it sounds true … a world-class folk guitarist” – fRoots
“Katie’s guitar playing has echoes of my dear friend the late great Bert Jansch. Like a musical weaver she threads her poetic lyrics through the guitar’s strings and produces little tapestries of song” – Ralph McTell
www.katiespencer.net
https://www.facebook.com/katiespencermusic/
https://twitter.com/KRSpencerMusic
https://www.instagram.com/katiespencermusic/

Steve Turner, (UK) traditional and contemporary singer, concertina accompaniment, cittern, mandolin, banjo.

Steve Turner is known as a pioneer of highly sophisticated English concertina song accompaniments, stretching the boundaries of traditional forms, with one of the best voices in the business. He is a multi-instrumentalist, who also accompanies himself on the cittern, and also plays mandolin and banjo.

Steve began his career on the Manchester, UK folk scene at the end of the ‘60s, with the Geordie band “Canny Fettle”, touring with them for eight years and making two albums with them.

In 1979 he won the UK Melody Maker’s national “Stars of the 80s” competition, which persuaded him to turn professional, and for the next 12 years he toured solo, nationally and internationally, releasing four albums with Fellside Records during this period (Out Stack, Jigging One Now, Eclogue and Braiding).

After 13 years away from the folk scene he made a welcome return in 2004 performing in folk clubs and festivals, and in 2008 producing his 5th album, the highly acclaimed “Whirligig of Time” which featured UK luminaries Martin Carthy, Nancy Kerr and Miranda Sykes.

Since then he has released further albums, “Rim of the Wheel” and “Spirit of the Game”, and his latest much anticipated 8th album “Late Cut”, featuring Eliza Carthy, Martin Simpson and Sam Carter, was released in January 2019.

Steves latest release , which may be available at the festival features our headliner MARTIN CARTHY